The weekend following a major holiday is always a little slow. The boost from vacationing moviegoers is gone, so everyone tends to take a major dip. Some films end up okay. Some die on the vine. This weekend saw two films weather the storm perfectly fine and one new release collapse on the starting line.
In one of the biggest holiday weekends of all time, the combined might of 'The Hunger Games: Catching Fire' and 'Frozen' proved that yes, ladies can star in major blockbuster movies. We'll see if this lesson sticks (it won't), but between those two and the surprisingly female-friendly 'Thor: The Dark World,' this was a great weekend if you were looking for quality family entertainment that didn't treat its woman characters like crap.
If there's one thing that we're reminded of a few times a year here at the Weekend Box Office Report, it's that films targeted at black audiences are always ignored by many mainstream movie websites ... until they open huge at the box office. 'The Best Man Holiday' is the latest film to prove that there's an entire group of moviegoers who aren't being given the films they obviously want to see, and hopefully its success will spur Hollywood into action, allowing for the production of more movies with black casts and filmmakers. Maybe. This is Hollywood, after all.
There was no question of whether or not 'Thor: The Dark World' was going to open at number one this weekend. Of course it was. The big question was whether it would get a post-'Avengers' bump, or if it would do similar business to its 2011 predecessor. Question answered: it got a bump and a pretty good one, too.
If you were wondering what it would take to finally shove 'Gravity' out of the number one spot at the box office, the answer is Johnny Knoxville as an elderly man with a foul mouth and penchant for sustaining groin injuries. After nearly a month at the top, Alfonso Cuaron's science fiction spectacle fell to number two, dethroned by 'Bad Grandpa.'
For the third weekend in a row, 'Gravity' dominated the box office, taking no prisoners in its quest to become one of 2013's most deserving blockbusters. However, its tremendous success has been at the expense of a handful of other films, which have been crushed in Alfonso Cuaron's titanic wake.
When a movie is sold as being the next incredible cinematic experience that will change the way we watch movies, expectations are huge. Audiences may scoff. It could all backfire. But Alfonso Cuaron's 'Gravity' lived up to the hype and audiences responded in kind, giving it the biggest opening ever for a non-sequel October release.
There's nothing like a family-friendly animated movie to help shake off the September doldrums and 'Cloudy With a Chance of Meatballs 2' performed as expected. Although Sony's big release effortlessly took the number one spot, this weekend had a few other bright spots, namely a handful of independent films doing quite well in more limited release.
James Wan has done it again. For the second time this year, a horror film that he's directed has opened to over $40 million, securing his position as the reigning king of mainstream horror cinema. He may be taking a break from the genre to direct 'Fast and Furious 7,' but after the jaw-dropping success of 'The Conjuring' and now 'Insidious Chapter 2,' you just know he'll be back. No one is bringing the audiences in quite like Wan.
Oh, and there were some other movies that made some money, too.
One of the things 'Riddick' has going for it is that it didn't cost too much. So while its opening weekend may be a little less than impressive, it doesn't have that far to go to make a profit. It's little victories like this that make this, one of the slowest most stagnant movie weekends of the year, more palatable.
The summer is over and September is upon us. The result? One of the most boring weekend box office reports in months. Months! The month or so following the end of the summer movie season is traditionally one of the worst of the year, the time when Hollywood unleashes all of the films that they have little faith in, a buffer between the blockbuster months and the award season months. In other words, it's the exact kind of climate where a movie like 'One Direction: This is Us' can thrive.
In a weekend with four new major releases but no definitive frontrunners, the Matt Damon sci-fi action flick 'Elysium' snagged the top spot over some seemingly powerful competition. Director Neill Blomkamp's film continues this summer's trend of R-rated fare opening big ('The Purge,' 'The Conjuring,' '2 Guns') and proves that there's plenty of box office success to be had in the typically slow final weeks of the season.
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